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SYNOPSIS |
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I'm
Not Black, I'm Coloured
©
Identity Crisis at the Cape of Good Hope
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In the wake of one of the greatest
failed social experiments in the history of mankind, 'I'm
not Black, I'm Coloured'
is one
of the first documentary films to look at the legacy of
Apartheid from the viewpoint of the Cape Coloured. A
people who in 1994, embraced the concept of Desmond
Tutu's all encompassing 'rainbow nation', but soon
thereafter realized that freedom, privilege, economic
growth and equal representation would not include them.
A people who for more than 350 years has been
disregarded, ignored, belittled, and stripped of
anything they can call their own enduring a complex
psychological oppression and identity crisis
unparalleled in South African history. |
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'I'm
Not Black, I'm Coloured'
explores the rich history of the
majority population of Cape Town, the Cape Coloured, and
their complex existence in a country still struggling
with racial identity. Local elders, community leaders,
members of Parliament, pastors, educators, and college
students give first hand accounts of their past
experiences under Apartheid and discuss their concerns
for the future as tensions continue to build. Witness
the discovery of their ancestral roots through a ground
breaking genetic DNA project in South Africa.
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Film is 79 minutes. All South African cast and crew. |
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Producer/Director: Kiersten Chace
Director of Photography: William Diedericks
Original Film Score: Todd Kmieciak - Lost Rain
Productions
Original Songs performed by: Wilmot Fredericks |
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VIEW FILM CLIPS HERE |
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QUOTES |
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BERMUDA SUN NEWSPAPER
An Emotive Look at Racism against Coloured in Africa
(Leanne McGrath)
... an engaging, informative and emotional examination
of the legacy of Apartheid in the South Africa from the
viewpoint of the Cape Coloured, the majority population,
in Cape Town.
LYNDALL JOHNSON - FOUNDER ASLAN INSTITUTE
...the movie is brilliant. As a South African I was
deeply touched at the accurate and very moving way in
which you presented the intergenerational suffering and
identity crisis of The Cape Coloureds. The historical
background was concise and accurate and so well done and
provided such a good context for the present suffering.
My daughter and I both wept at the end - those scenes of
people finding their genetic roots was beautiful - what
a wonderful gift. And it was fun to meet Dr. Michael
Adams and speak Afrikaans and feel my bond to him as a
SOUTH AFRICAN. We all long for the day when we can all
call ourselves South Africans, like Americans call
themselves Americans instead of feeling in our psyches
the difference more than the common unity of our
humanity.
Blessings on you Kiersten for this wonderful
consciousness raising gift to the world.
PROFESSOR MARTIN KLAMMER -
LUTHER COLLEGE - Africana Studies
"This film (I'm Not Black, I'm Coloured: Identity Crisis
at the Cape of Good Hope) fills a critical gap in our
understanding of people known as Cape Coloureds -- both
their history and their present reality as they struggle
to define their social identity and place in the new
South Africa. As someone who teaches South African
history and culture and frequently takes students to
South Africa, I especially appreciate filmmaker Kiersten
Chace's focus on letting people tell their stories in
their own voices. The film has become an invaluable
teaching tool for me and I highly recommend it to
teachers and others who want to understand this
important but often overlooked group of people in and
around Cape Town."
TOMMY WOON - MACALESTER COLLEGE - DEAN OF MULTI
CULTURAL LIFE
"I'm not Black, I'm Coloured" reveals the complicated
ways people of mixed heritage in South Africa were used,
are marginalized, and can be trapped in an endless cycle
of invisibility and exclusion through internal ambiguity
about identity and external indifference about their
welfare. This film also shows the importance of learning
one's DNA and how it can free individuals from the
psychological and multi-generational shackles that
miscegenation through colonization produced in those who
are not valued by Black or White South Africa. This film
reminds us that no one is free until everyone is free
when those who were dominant and subordinate free
themselves from apartheid without recognizing the rights
of people who sprang from common ancestors.
CHARLES ASH - PUBLISHER /
FOUNDER - BRUIN-OU.COM
I'd like to extend a sincere thanks from myself as
founder of Bruin-ou.com, for the amazing initiative and
commitment you've shown to the Coloured community of
South Africa by investing time, effort, energy and
resources into your documentary. Your compassion for the
community is commendable and deeply appreciated.
REHANA ROZANNA DESAI ROACH - CAPE TOWN SOUTH
AFRICA
Having lived in exile for many years I was surprised
when many coloured I met were unaware of their heritage.
I have also been made aware by "black Africans" that I
am not black enough! fortunately my father kept us well
informed of our heritage. I know that my mother's side
is African Dutch and Polish. and on my father's side
African Dutch and Asian. So because I have an Asian
surname I am not African. But I really am my ancestral
mother was L1 the oldest Africans in the Western Cape
150.000 years and I am sure many cape coloured will be
the same. And Now that i live in Cape Town again I am
aware of how marginalised they feel. Unfortunately this
happens in lots of countries where Black and white have
mixed. I know blacks were marginalised during apartheid
but so were coloured people. And it was blacks coloured
and whites who fought for the end to Apartheid. Yes
coloured people need to be represented more in the media
both TV and radio. If we hadn't had apartheid think how
many more South Africans would be coloured! no more them
and us.
DANIEL PIERCE BERGIN -
TPT/PBS MINNESOTA - SENIOR PRODUCER
Central to cinema is giving voice to the voiceless. Your
film does that to such a degree that you can see the
pleasure, pain, and visceral need to ‘tell’ on the faces
of your characters. The telling was that important to
them. And the safe space and healthy process you offered
seemed greatly appreciated by this community.
As you originally conceived, the story offers a never
before seen account of the Coloured peoples of Southern
Africa. But it also holds up a fascinating mirror for
the rest of the world – including biracial African
Americans like myself.
Your voice (literally and figuratively) is also key in
this telling. Smart and sensitive, your storytelling
structure and style makes the piece work on several
levels.
JULIE CRUZ - MULTICULTURAL
SERVICES - ST. CLOUD STATE UNIVERSITY
Because of our close
relationship with Nelson Mandela Metropolitan University
in South Africa, St. Cloud State University’s
Multicultural Student Services office was very happy to
sponsor a screening of I’m Not Black, I’m Coloured:
Identity Crisis at the Cape of Good Hope for the
university and community in February 2009. The film was
well done covering both historical and contemporary
issues facing the Coloured people of South Africa, in
particular, those from Cape Town. We were extremely
fortunate in that filmmaker Kiersten Chace as well as
the subject of the film, Dr. Adams, were both able to
attend and facilitate a spirited discussion following
the film. Both Ms. Chace and Dr. Adams (from Cape Town
South Africa) fielded questions following the film from
both faculty and students and covered many areas. As
facilitators of the discussion, they handled even the
most sensitive questions with professionalism and
open-mindedness.
Working with Ms. Chace to schedule and bring the film to
SCSU was a very easy process. She worked with us to find
a date and time that met our needs. We received from her
publicity information which allowed us to promote the
event to the campus audience. The entire process of
arranging, promoting and hosting the event was simple,
due to the professionalism of Ms. Chace. We were able to
provide a space for Ms. Chace to promote the book upon
which the film was based, adding to the context of the
film for the audience.
By including a historical component the film informs the
audience of the bearing of the past upon the present,
helping to explain the present-day challenges faced by
this particular group of South Africans. We highly
recommend this film for college audiences interested in
a global understanding of other parts of the world.
EDDIE JACOBS - CAPE TOWN, SOUTH AFRICA
Eddie Jacobs - Cape Town, South Africa.... The racial
make up in South Africa is so complex and for many
years, not talked about issues. It never used to bother
me but on my first travel to the US people asked me
whether I am Zulu or Xhosa and we had to respond we are
black South Africans. Nothing wrong with that in itself,
but if one looks a little closer you will find that
black in south Africa is what the government of the day
determines as "black". Some of us that grew up in the
black consciousness movement learned and were made to
believe that black is beautiful and everyone not white
is black. Not so.... the blackness a South African has
nothing to do with pigmentation or language. It has to
do with who has the power in government. Even in the
first elections when all of us cried and we became one
and we sang bind us together Lord.... our first black
president uttered those terms we have learned to hate...
To all South African, blacks, whites and Indians...etc.
The struggle for the liberation of coloured people in SA
is far from over. We first have to free ourselves from
the thought that we are always in the middle and to let
others decide on our behalf. We have numerous visits of
USA tourist and as soon as they land on the motherland
they insist to see the "real African' We have decided to
stand up for our people and for our course........ Its
cool to be coloured and anyone that did not grow up in
Cape Town will not understand the reality of being a
coloured and not black. Thank you Kiersten for your
contribution.
HILTON A - CAPE TOWN / KANSAS
I have watched the Film 5 times and have enjoyed it
every time I watched.
ps.. Good job.
MOHANNAD GHAWANMEH - DUNWOODY INSTITUTE
Art & Sciences Department
I'm not Black, I'm Coloured, a stirring and thought
provoking film by
Kiersten Chace, examines the historical and present day
experience of
South Africa's Cape Coloured. The documentary film
succeeds in engendering
in its audience an ambivalence about the socioeconomic
and civic standing
of the Coloureds of Cape Town not dissimilar to that at
times conveyed by
interviewed members of the very marginalized population.
However such
ambivalence settles, the film's American audiences will
never think of the
term coloured in quite the same way.
LAURA S - MINNEAPOLIS
...it really went above and beyond my expectations. I
loved it and it even brought some tears to my eyes at
the end. I had no idea about the Coloured people in S.
Africa....thank you for teaching me!!!
ROBYN ALEXANDER - CAPE TOWN / WASHINGTON DC
I just watched the film (for a second time)... first
time, I watched it alone, and then again this morning
with my boyfriend (who is Black American). I already
knew quite a bit about our community through
conversations with my folks in Australia, but your film
put many things in context.
The historical overview was very interesting - I learned
more here than I ever did attending primary school in
SA... as you might know, our history lesson comprised of
Jan Van Riebeck, Vasco da Gama and the Bushmen (it was
funny, I caught myself reciting the arrival dates of the
first fleets before you mentioned it in the film).
My Dad's mom grew up in District Six and was relocated
to Bonteheuwel (which we also laughingly call 'Beverly
Hills'). She died last year, and along with her, any
chance of finding out anything about her parents - she
refused to talk about it.
My mom's mom passed in 1988, she too would not tell us
anything about our ancestors, other than, they were
British (sound familiar)! I remember seeing a picture of
my mum with an elderly black lady when I was just a
child... I was to find out years later, that this was my
great-grandmother. My grandma had me believe she was the
maid... We think this great-grandmother was from
Mozambique... but we have not been able to substantiate
it.
For years since leaving South Africa, I have always
searched for my identity - and this was probably my most
compelling reason to move to the US (from Australia) -
to be apart of a culture and feel as though I belong to
something.
Your film really helped me understand that I actually AM
apart of something, not just some mixture of black and
white.
I too have noticed that the Cape Flats has not changed
much at all since the end of apartheid. What is most
frustrating is that I do want to help, but really don't
know how to?
Anyway, THANK YOU for doing this - it was a wonderful
documentary and you certainly have started to show the
world our wonderful culture and our struggle for our
identity and place in South Africa.
MAREN MCMARTIN - MINNESOTA HISTORICAL SOCIETY
I will say that I was aware of the Coloured issues in
South Africa on a minimal scale. I felt like your film
did a lot to expose how much is going on in the Coloured
community, which seems to have been misunderstood quite
a bit in South Africa and ignored everywhere else. I
want to say, that like many in the crowd, I was amazed
with what you put together. I walked away knowing so
much more and thinking about and looking to uncover the
stories of people with similar issues to the Coloured
people of South Africa. AMAZING JOB!
On a personal note, I found it incredibly inspiring that
you were able to complete this, let alone while
maintaining a job. You are an inspiration. I work with
an organization called History Day, which is quite a bit
like a science fair, but for history. Grades 6-12. I
know of many students that are working on projects about
Nelson Mandela and now I have a whole new dimension to
discuss with them. So, THANK YOU SO MUCH! I was so
inspired.
I wish you all the best and thank you and everyone you
have worked with to accomplish this. Please let your
subjects know that I am appreciative of their openness
too! Way to go!
QUINTON - CAPE TOWN / MINNEAPOLIS
Being a Coloured man from Cape Town South Africa, I am
deeply moved by your accurate and true documentary. I
was very frustrated when a group of Americans came to
South Africa a few years ago and walked through the
coloured neighborhoods and said: "This isn't Africa!" I
could not believe my ears when I heard this.
And YOU, Kiersten, have made this (film) possible. Of
course the people involved too.
NORA M - LONDON, ENGLAND
I enjoyed the film so much, I can't begin to tell you. I
have been to South Africa a couple of times, and whilst
there became very aware of the Black/White issues and
learned an awful lot - but your film opened my eyes to a
whole new area.
DONNA JOHNSON - VIDEO PRODUCER - MINNEAPOLIS
...following the premiere, the resounding, standing
ovation and sharing of stories was testament that this
documentary not only stirred the soul, but suddenly
became a voice of awareness for a people who have not
been heard until now. The first question was from a lady
who introduced herself as a "Coloured from South
Africa." She was astounded that her history was so
accurately depicted by a woman in Minnesota. Thank you
Kiersten Chace for making this Documentary. |
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PURCHASE THE FILM - CLICK HERE |
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CAST AND CREW |
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Producer/Director |
Kiersten Chace - Monde World
Films Minneapolis |
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Cinematographer |
William Diedericks - Wheels
Productions South Africa |
| Film
Composer / Score |
Todd Kmieciak - Lost Rain
Productions Minneapolis |
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Original Songs |
Wilmot Fredericks - South
Africa |
| Intro:
'Zen Zen Ne Na' |
Brendon Adams - South
Africa/Minneapolis |
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Graphics |
Antoni Commodore -
OneSixteen Designs |
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Narration |
Kiersten Chace |
| Editing |
Kiersten Chace |
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Cast |
James Bergman
William Diedericks
JoDee Engelbrecht
Desire Diedericks
Eddie Jacobs
Japie LaPoorta
Michael Adams
Theodore Josias
Michael Adams
Edgar Michaels
Eddie Edson
Danny Olifant
Chantalle Fredericks
Doreen Van Rooyen
Julie Van Rooyen
Sabrina Adams |
| Special Thanks |
Bennett
Greenspan - Family Tree DNA
Sunny Martin - Who's Who Publishing
Coldwell Banker Burnet
Värde
Partners
Melody Gilbert - Frozen Feet Films
Daniel Bergin - PBS TPT Minnesota
Nick Gumm
Erika LeRoux - Western Cape Archives
Vernon Chico Rowland - Jacynth Productions |
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PRESS RELEASE |
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M o n d é Wo r l d F i l m s
Relevant ● Globa l ● Knowledge
FOR IMMEDIATE RELEASE
Email: info@mondeworldfilms.com
LOCAL FILMMAKER UNCOVERS ONGOING STRUGGLE FOR
RACIAL IDENTITY WITHIN SOUTH AFRICAN COLOURED COMMUNITY
Twin Cities Film Premiere – I'm Not Black, I'm Coloured
– February 5 – Riverview Theater Minneapolis
January 16, 2009 - Local filmmaker Kiersten Chace of
Mondé World Films makes her directorial debut with the
historical documentary film I'm Not Black, I'm Coloured
– Identity Crisis at the Cape of Good Hope. Shot on
location in Cape Town, South Africa, this is one of the
first documentary films to look at the legacy of
Apartheid from the viewpoint of the Cape Coloured, the
majority population in the Western Cape Province who
fall under neither white nor black racial categories. A
people who in 1994 embraced the concept of Desmond
Tutu's all encompassing 'rainbow nation', but soon
thereafter realized that freedom, privilege, economic
growth and equal representation would not include them.
A people who question whether apartheid was an evil that
kept them separated from the whites or a blessing that
kept them separated from the blacks.
In focusing her lens on the Cape Coloured's plight,
Chace informs us of a vibrant, yet struggling, people
adrift without a cohesive, collective voice, "Since
1995, I have been involved in various community projects
in Coloured townships throughout South Africa. In 2005
while taking a small focus group to Cape Town I
witnessed first hand how life under the African National
Congress was getting worse for the Coloured people, not
better." Chace delves into the history of the Cape
Coloured, South Africa's Apartheid history, and the
African National Congress (ANC) - the new government
that was supposed to solve it all, "The ANC made a lot
of promises to the Coloured people back in 1994 that
were never kept. Millions of people have been overlooked
and their communities are deteriorating quickly, morally
and structurally. This is when I realized that someone
needed to step up to the plate, educate, and not be
afraid to uncover what is really going on in South
Africa, thus the creation of this film." Witness
firsthand accounts of life under Apartheid and present
day struggles from local elders, community leaders,
members of Parliament, pastors, educators, and college
students. Also witness the surprising discovery of their
ancestral roots through a ground breaking genetic DNA
project in South Africa sponsored by Family Tree DNA.
Film is 78 minutes. All South African cast and crew.
Director Kiersten Chace will be present and available
for dialog following the film.
# # #
If you'd like more information on this topic, or to
schedule an interview, please call 952.426.5006 or email
mondeworldfilms@gmail.com. |
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DIRECTOR'S BIO |
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Kiersten Dunbar
Chace
CEO Founder
Mondé World Films
Cut to the Chace Studios
Producer / Director / Author / Artist |
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To read more about Kiersten Chace
visit
www.cuttothechace.com |
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EDUCATORS |
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DEPARTMENTS THAT
MAY BENEFIT FROM THIS FILM
African and African American Studies
Anthropology
English
Ethnic Studies
History
International Studies
Journalism
Psychology
Religion
Sociology
TOPICS OF INTEREST FOR THE
CLASSROOM
Affirmative Action / Equal Rights
Cross Cultural / Racial Identity and
Self Esteem
Bi-racial / Interracial studies
Tribal vs Non-Tribal Identity
How Ethnic Identity is Constructed and
Reconstructed
Ethnic Relations and Comparisons
Western Misconceptions of Africa / South
Africa
Slavery - History of Slavery in South
Africa - Cape Town
Slavery - Comparative Studies between
African American and South Africa Slave History
Genocide and the KhoiSan People
The Role African Americans have played
in the History of the Coloured People
Socio-genetic Marginalization / Genetic
DNA Testing / Ethics / Blood Politics
Apartheid Studies
Importance of Heritage, Traditions and
Culture
Human Rights
The Effects of Psychological Oppression
The Effects of Forced Removals
Intergenerational Suffering
Social Structure
White Dominance / Colonialism
Politics in the Western Cape Province
Afrikaans Language and the Coloured
People |
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This site is property
of Mondé World Films, LLC |
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© 2009 Copyright
All rights reserved |
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